Dance Summary
...except
tile youngest, who in the Javanese version is called Kleting Kuning.
When the six of them have been carried over the river, only the
youngest is left. She asks Kendit Birayung to help her cross the
river, but he refuses.
In
chapter I (Introduction) it wits stated that of the islands of Indonesia,
Bali is the most favourable for the development of Indonesian dancing.
The reason for the unique development of dancing in Bali lies in
the fact that dancing plays a very important role in the religous
and social life of the Balinese. Dancing is a very important aspect
of the Hindu-Bali (HindU-Dharma) religion.
Since
the Ist century Merchants from India had been actively trading with
the Indonesian inhabitants of the archipelago. Some of them settled
in Indonesia, and gradually intermarriage took place between them
and the indigenous people of Indonesia.
If
we compare the culture of the Indians who came to Indonesia in the
first century with the culture of the indigenous people, the Indian
culture was relatively higher. Indian culture exercised a great
influence on Indonesian culture. This does not mean of course that
the Indonesian became similar to the Indians. The original elements
of Indonesian culture were preserved and only those element of Indian
Culture taken ever which were suited to the identity of the Indonesian
people. Consequently, the Indian cultural influence on Indonesia
was an enrichment of Indonesian culture.
First
evidence of Indian influence on Indonesia was the rise of the earliest
Hindu-Indonesian kingdoms, such as the Kutei kingdom in East Kalimantan
(about 400 A.D.) and the Tarumanegara kingdom in West Java (about
400 A.D.). Indian influence spread throughout Indonesia, and survived
longest on the island of Bali.
In
the social development of Bali the cultural influence of India is
not felt as such because of the thorough acculturation.
In
Indonesian history, the Hindu-Indonesian period is said by historians
to have ended in the 15th century (or the beginning of the 16th
century) with the fall of the kingdom of Majapahit, which was then
replaced by Islamic kingdoms. But the Islamic culture coming to
Indonesia did not bring about a radical change in the Hindu-Indonesian
culture in spite of the difference in their religious teachings.
The Islam coming to Indonesia had mostly been brought by merchants
from Gujarat, where it had already been subjected to Indian influence.
Besides, the Islam entering Indonesia did not impose itself on the
Indonesian people, but penetrated by peaceful means. Later many
Moslems from Arabia came to Indonesia, settling here and influencing
the conversion of the people to Islam.
The
statement of the historians that the Hindu-Indonesian period ended
at the end of the 15th century or the beginning of the 16th century
did not apply to Bali; for one thing, conversion to Islam was not
so widespread and; for another, the Hindu-Bali spirit had already
been firmly rooted in the cultural life of Balinese society.
Historians
tell us that the Hindu-Indonesian culture entering
Bali came from Java in the 10th century, when there was a close
relationship between Java and Bali. At that time a marriage took
place between a Balinese king, Udayana and a princess of the kingdom
of Kahuripan in East Java, Mahendradatta. From this
marriage was born a son called Erlangga, who later became king of
Kahuripan (Mataram). After this event the close contact between
Bali and Java resulted in a flow of Hindu- Javanese cultural influence
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